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Acknowledgement of country

Batchelor Institute would like to acknowledge and pay respect to the Aboriginal and Torres Strait Islander sovereign people of the lands on which our campuses are located. As we share our knowledge, teaching and learning and engage in research practices within this Institution and/or conduct business with a variety of external agencies and organisations, we must always pay respect to the sovereign status of our hosts. May their Ancestors always be remembered and honoured, their Elders listened to and respected, all members treated with dignity and fairness — in the present and well into the future.

We also acknowledge and pay respect to the knowledge embedded forever with our hosts, custodianship of country and the binding relationship they have with the land. Batchelor Institute extends this acknowledgment and expression of respect to all sovereign custodians — past, present and emerging. By expressing Acknowledgement of Country we encourage all to extend and practice respect to all First Nations people wherever their lands are located.

Please read this important information
It is a condition of use of the Batchelor Institute of Indigenous Tertiary Education website that users ensure that any disclosure of the information contained in the website is consistent with the views and sensitivities of the Aboriginal and Torres Strait Islander peoples.
This includes:
Language
Users are warned that there may be words and descriptions which may be culturally sensitive and which might not normally be used in certain public or community contexts. Terms and annotations, which reflect the author’s attitude or that of the period in which the item was written, may be considered inappropriate today in some circumstances.
Deceased persons
Users of the website should be aware that, in some Aboriginal and Torres Strait Islander Communities, seeing images of deceased persons in photographs, film and books or hearing them in recordings may cause sadness or distress and in some cases, offend against strongly held cultural prohibitions.
Access conditions
Materials included in this website may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions which the Institute is required to maintain
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Batchelor Institute Art Collection

The Batchelor Institute Art Collection is a significant cultural entity comprising around 1000 artworks from First Nations artists Australia-wide though predominantly from the NT.  The collection also contains some work from Papua New Guinea and by non-Indigenous Australian artists affiliated with the Institute or with Indigenous Australian art per se.

Begun in the 1980s with the donation of artworks from students and friends of (then) Batchelor College, the Collection was initially conceived as a way to make the campus environment more familiar to students with artwork reflective of their familial and homeland ties. This was followed by a concerted acquisition program which was significantly bolstered by the Institute’s artist-in-residence and master artist-in-residence programs and the establishment of the Coomalie Cultural Centre as an exhibition venue. Key Institute staff involved in the Collection’s development include David McKay, Pat Torres, Joanna Barrkman and Leanne Mahaffey, among others. By 2007, the Collection’s first (part-time) curator, Gary Lee, was appointed, followed by Steve Anderson (2008-2019) and Maurice O’Riordan (2022-present).

The Institute Art Collection is home to the work of many leading lights of Indigenous Australian art over the past five decades including Gulumbu Yunupingu, Paddy Fordham Wainburranga, Wenten Rubuntja, Gertie Huddleston, Ricky Maynard, Ian Abdullah, Mary Kunyi, Kieren Karritpul and Naminapu Maymuru-White, to mention but a few. Their work exists alongside that of lesser-known artists including outstanding work by students of the Institute’s visual art programs.

Mary Kanyi (Kanngi) (1925 - 2005)

Ngangikurrungkurr / subsection/clan: Nangarri

Black Plum Tree, 1994, acrylic on canvas, 90cm(h) x 83cm(w)

BAC: 03156

© the estate of Mary Kanyi / Merrepen Arts, Nauiyu

Acquired from artist-in-residence program, Batchelor campus, August 1994

The Collection has a number of works by Mary Kanyi, some of which were included in the retrospective solo exhibition The Mary Kunyi Legacy, Godinmayin Yijard Rivers Arts and Culture Centre, Katherine, 5 April to 13 July 2019, curated by Dr Cathy Laudenbach, Merrepen Arts.